Showing posts with label ergo phizmiz. Show all posts
Showing posts with label ergo phizmiz. Show all posts

Wednesday, 15 August 2012

Chin40 - Ergo Phizmiz "Papalaka Papalaka"


A spoken-word audio/video opera by Ergo Phizmiz, with text entirely snipped from the writings of Noel Coward. The audio is created from Ergo's collection of gramophone records, a sample from Monteverdi's "Combattimento de Tancredi", a wooden kitchen door, and Ergo's "Hallucination Duets".





"The Impulse to Shoot at Every Shadow" by Ergo Phizmiz from Ergo Phizmiz on Vimeo.

Text-Collage, Sound-Collage & Production by Ergo Phizmiz

Voices by Ergo Phizmiz, Flora Bertolli & Martha Moopette


* * *


N
When the curtain rises the stage is in darkness.
There is the sound of voices. Enter Young Man
followed by Young Woman. He turns up lights,
disclosing a comfortable little study with
a sofa, armchairs, books, etc.,
and the remains of a fire in the grate.

*

M
In January I went to Paris and breakfasted daily, curtains of wisteria
and serried ranks of snow capped mountains.

F
For the whole of the following year I did not work, my cough rapidly disappeared,
and then in a moment their colour and vitality faded.

M
Some little question of English grammar I bit her arm right through to the bone.

F
I drilled resonantly, a slight strain, you play exclusively in your mind,
I may add, that was not entirely free from superciliousness.

M
To this day we still meet occasionally and have a good time, but
the paths back into the past are long and tortuous, and new faiths,
like new policemen, were sick and tired of it.

*

F
My last link with familiar life, disappearing down the

M & F
handbags, hats, coats, sandwiches, apples, oranges, shoes, stockings, and bits of fur,
a tinny piano, too many chairs, a few mottled looking glasses,
always a pervasive smell of last week's cooking.

*

M
Small miserable groups of people huddled in corners.
I had still one more battle. Cockie in his box,
Mother to greet us blind in a dirty kimono, nor could
I have chosen a more thoroughly unsuitable place.

F
Conducting a furtive, illicit detail, but the climax
was always the same.

M
I soon became bored and wanted to go home,
made up into dark little rooms and passages,
and one could see across miles of marshes,
a square edifice wearing perkily a pink corrugated tin roof,
falling to pieces,

*

N
The noise is deafening – the chorus in various travelling dresses
are clustered round the low counter, trying to get the baggage examined
quickly, and talking, and shouting.
Young Englishman strolls languidly in.

*

M & F
there were two small ponds, five poplars,
a ramshackle garden consisting almost entirely of hedges,
and an ancient, deeply green orchard with thick grass
and low growing apple trees, hats, coats, sandwiches,
apples, oranges, shoes, stockings, and bits of fur,
a tinny piano, too many chairs, a few mottled looking glasses,
always a pervasive smell of last week's cooking,
two small ponds, five poplars, a ramshackle garden.

*

F
I was suddenly conscious-smitten by the sight of a poor old gentleman,
raspberried with the utmost fervour, although far from assured,
had at least been enough to procure me a dignified pose.

M
It was the result of careful thought, only for the sake of the salary,
seemed to be a static, over-cautious mania for travel and change,
but to me it wasn't foolish at all.

*


N
She takes the breakfast-tray from side table and rests it on her knees.
She proceeds to pour out coffee, she sips some of it
and then begins to eat a little toast. The telephone rings again.
She takes off receiver and speaks with her mouth full.

*

F
It is patronising, of course, to a certain degree,
but not consciously or disagreeably so;
I managed tactfully to erase some of the bloodstains.
As a new animal I received many surprising visitors in my cage.

M
My vision of myself at eight and twelve and sixteen is clear.
I know how I looked, of course.
Superlatives flew through the air, richochetting off mouldering midsummer.

F
Even Irene forsook me for a while.

*

M
I used to get packets of bacon on credit, restraining
the impulse to shoot at every shadow cast by the street lamp.

F
Her failure lay within herself, in her abrupt pride, and
sudden sharp intolerance, and her inability, when in certain moods,
to accept the small change of friendship, even from those
who loved her dearly,

M & F
deeply green orchard with thick grass
and low growing apples trees, hats, coats, sandwiches,
apples, oranges, shoes, stockings, and bits of fur,
a tinny piano, too many chairs, a few mottled looking glasses,
always a pervasive smell of last week's cooking,
two small ponds, five poplars, a ramshackle garden.

*

N
Black out. Close tabs.

Sunday, 11 March 2012

Chin35: Elvis Herod "Underwater Workshop"





We are delighted to present a new release from prolific musical adventurer Elvis Herod, one half of the mighty Plushgoolash.



Back in the heady days of 2011, his first Chinstrap solo release, the Ergo Phizmiz produced "Keep It Regal", invented a new genre of hip-hop, called (c)hip-(s)hop, aswell as featuring the lyrics "Stop a second I just done a egg".


This was followed by "Arab Justice", a retrospective of sorts that ran the gamut of musical horrid, a genre of which Herod is an innovator and sex-master, and "Orson Welles' Dinner", a solo piano and electronics opus for culinary enthusiasts.


This new release is an imaginary workshop of an underwater scientist, dreaming aquatic perversions, reveries, and inventions. And very beautiful it is, too.


So put on your snorkel and flippers, and let the King of everything and nothing, Elvis Herod, drown you in naughty science.

Friday, 28 October 2011

Chin28: Vulnavia Vanity & Ergo Phizmiz "BUFFETINFANTIL"


Performed on voice, electric guitar, bass guitar, organ, harmonium, mandolin, wheel, turntable, drums, digital-delay, tape recorder, in an evening of extreme decadence and a sorry, slightly painful morning. 

We like to call this music Decadence'n'Roll (thanks Christopher Lee).









With deepest apologies to everyone Vulnavia phoned during the recording sessions. And to Benny & Bjorn.

And big thanks to Lady SD.


Sponsored (unofficially) by Smirnoff Vodka.


Dedicated to Kerry Katona & Chuck Berry.


Recorded 27th-28th October 2011 at Grindia, Bridport.

"Honey honey, Lich Me Baby, aha!"


More Vulnavia here, and on Facebook here


More Ergo here.

Tuesday, 26 July 2011

Chin27: Vernon Lenoir "The Rites of Sausage"


The very strange, enchanted composer, sampler-meister and fez wearer who goes by the moniker of Vernon Lenoir has spent the best part of the last decade knocking out consistently inventive and entertaining music on some of the world's most delicious netlabels including UpItUp, WM Recordings, and Egotwister.




He makes uberpopinexcelsis, tearing apart his own angle on pop cultures and slapping them back into his own forms. A sort of Buxtehude of beats, there is profound and irrestible cinematic musicality to the shapes Mr Lenoir makes.
 
"The Rites of Sausage" is a party album for a hallucinatory end of the world, when everybody has lost their minds and all they see before them are sausages, and visions within those sausages. Inspector Gadget and the Macarena make appearances. The latter transforms by Vernon's alchemy into a Balkan knees-up, while Rome burns. Ozzy Osbourne goes wild in a shopping mall. Simeon of Stylites gives in and throws shapes atop his pillar. The world fragments all around, with joy.



The album features collaborations with Roglok, Ergo Phizmiz, and Satanicpornocultshop. The beautiful artwork is by La Roll, which you can download a hi-res copy of here (6.86mb).

"The Rites of Sausage" is also available in FLAC, right here (204mb).




Tuesday, 19 July 2011

Chin26: V/A "Ergo Phizmiz 'The Third Policeman' Remixes"

Mixes and mashes of the music from Ergo Phizmiz's electronic neur-opera vaudeville machine of Flann O'Brien's absurdist classic "The Third Policeman".



Remixers are Jacques Malchance, The Superfools, Erik Bumbledonk, Oblivian Substanshall, Elvis Herod, Lezet, David Fenech, and Blax Box.


"The Third Policeman" opens at Tête à Tête: The Opera Festival on August 20th-21st 2011 with more dates in the UK & Europe October - December 2011. Full details of performances (with more to be added) can be found here.



Friday, 8 July 2011

Chin22: Elvis Herod "Keep It Regal"


Elvis Herod is the towering behemoth of the fat beat, the stinking bitch of the power rhyme, the oily residue that sits atop the subtle moustache of Snoop Dogg. He presents a new dawn in hip-hop, for which his majesty has coined the apt term (c)hip-(s)hop, a stunning compendium of fat beat, bat feet, fat bass, and bat face.





So delve into hip-hops new and glorious morning, pull down the roof of your convertible, and bang the bangin' tunage of the high Lord of deep shit pimp bassfuck, Elvis Herod.

Written by Elvis Herod

Guest dentist Oblivian Substanshall

Produced by Ergo Phizmiz


Recorded at Grindia, June-July 2011.

Saturday, 11 June 2011

Chin21: Oblivian Substanshall "Oh What a Novelty"






The new album from the gentleman, poet, comic and raconteur who goes by the curious moniker of Oblivian Substanshall is resplendent with unforgettable melodies that delight in songcraft, wordplay, and the joy of subverting and playing with the English language like a ping-pong ball on elastic. “Oh What a Novelty” at once looks back to a starry-skied past of straw boaters and gramophone horns, whilst also containing a timelessness that could plonk it anywhere from the present day back to the 1920s. 

The album contains a nostalgia that is not remotely melancholy. Mr Substanshall is a genuine eccentric who revels in the creation of his own distinctive art, suffused with wit, playfulness, and an unpretentiousness that is as endearing as it is refreshing.


If you're looking for references to hang this album from, think of a gentle whirlpool, like a washing machine gracefully on its last legs, in which the ghosts of Ivor Cutler, Waring's Pennsylvanians, Spike Jones, Vivian Stanshall & Keith Moon, Kurt Schwitters, Kurt Cobain, and Max Ernst swim gently in circles on their phantom backs.


The album is produced by Ergo Phizmiz, and comes with a new video “Brilliant Bonkers” by Martha Moopette, starring the great Substanshall himself.




Pass it on, spread the novelty like marmalade!


All songs & spoken-word written by Oblivian Substanshall


Oblivian Substanshall: Vocals, Electric guitar, Bass guitar, Ukulele, Percussion

Ergo Phizmiz: Harmonium, Melodica, Glockenspiel, Ukulele, Violin, Bass guitar, Vocal on “Upside Down”

Martha Moopette: Vocal on “Upside Down”


Video and photography by Martha Moopette


Produced by Ergo Phizmiz


More from Oblivian Substanshall on Chinstrap at "Finnish...But Don't Wait Till You Stop" , "Three Elements Hiss" and "The Greatest Hits of Oblivian Substanshall, and So On".

Monday, 6 December 2010

Chin14: Vulnavia Vanity "Worse Things Happen at Sea"


Chinstrap are delighted to present the debut single from young philanderer, explorer and hedonist Vulnavia Vanity.



"Worse Things Happen At Sea" is one of the catchiest coming-out songs ever to pop out of the proverbial musical oceans. Complete with a very blue video by Martha Moopette, "Worse Things Happen At Sea" is the first will and testicle of a young wizard of songcraft, a magnetic performer and surely the sexiest unknown Pop Star to grace the obscurantist seas Chinstrap sails. *



This single is presented alongside remixes by Oblivian Substanshall, Ergo Phizmiz and The Superfools.

Written & Performed by Vulnavia Vanity. Video by Martha Moopette. Produced by Ergo Phizmiz.

* Here at Chinstrap we believe, wholeheartedly, that the greatest pop stars in the world are generally unknown and working under the pretence of being experimentalists. The culture spearheaded by Lord Simon of Cowell has destroyed the genuine pop star. A true, born pop star is, by nature, a maverick, a vagabond and an outsider, and wouldn't consider appearing on a talent show to be judged and put down by a bunch of idiots who can't hold a tune themselves. That's why all pop stars today appear to be pretending, because they are pretend. They want to be pop stars, rather than naturally just being pop stars. Vulnavia Vanity is a pop star. Simon Cowell's eyeballs and testicles would disintegrate if he sat and watched him for more than a minute.*

* How's that for a press release that uses the world "testicle" twice?